• "Written by Morris, the unapologetically black-centric script is a tough, tight choreopoem that starts off with a badass barrage of rapped outrage about everyday experiences of race hate, then segues into satirical sketches—very funny, but with the same dead-serious bite—and finally, with house lights up, becomes a cathartic interaction of rhythmic and emotional bonding with the audience."

    – John Stoltenberg, DC METRO

  • "Natasha is a BRILLIANT wordsmith...Negroes masterfully weaves several accents, witty punchlines and poetry to bring forth highly engaging entertainment!"

    – Toni Simmons Henson, Founder of the Atlanta Black Theatre Festival

  • “I was entirely taken with Natasha’s brilliant contemporary writing and directing. Her piece is the perfect blend of sharp, necessary political content and shining artistry, carried to stage [...] producing an evening of solidarity, rage, humour and deep change on many levels in the minds of a very diverse public.”

    – Hélène Mateev, curator for Théâtre de l'usine (Switzerland)